This artwork depicts that the only person we can truly rely on is ourselves. Sometimes, we have to deal with our own problems and not depend on others for our happiness. I think many people can understand and relate to this. In the first picture, a girl is shown in a dress, representing pain, depression, and the impact of rumors. The image shows her accepting her flaws and overcoming challenges from gossip. In this picture, she’s sewing her own scars, which symbolizes becoming strong and empowered. We should have the strength to heal our wounds, even if some scars are left unhealed. It’s important to be strong because often, the only person who truly cares about us is ourselves. The second picture shows the girl being confident and happy. This side-by-side comparison illustrates the journey of putting oneself first and finding the inner strength to face challenges. The main idea of this artwork is to highlight the importance of dealing with and overcoming the difficulties that life throws at us. It’s crucial to have the strength and resilience to fix our own problems, showing that we can overcome challenges no matter what life throws our way.
This love letter is inspired by the old-fashioned handwritten letters that people used to write before smartphones and computers took over. I got the idea from my grandma,who was really poetic and used to write these romantic letters to my grandpa who lived in America.
I wanted to make a unique pillow that includes some things from her time. So, I thought of making the pillow by hand by using a special item that my grandma made like ‘karosia.” I also picked fabrics and colors that remind me of what my grandma used to wear at that time. Also, I thought about adding some patchwork embroidery to make it look old-fashioned. The love letters are embroidered on fabric so it won’t fade away with time. The pillow is like a way of honoring the old love letters and the beautiful art of writing by hand.
As nowadays, sending a handcrafted love letter like this is really special because it’s a mix of something from the past and something modern. I wanted to make a really thoughtful and unforgettable gift to show love and care, also to remind people that real feelings are more important than just spending money.
Instead of writing a typical love letter on paper, I wanted to make something that has both a sweet message and a practical use. The love letter on the pillow has red and yellow color followers as my nani mostly liked to use these colors in her crafts. I wanted it to be useful in different ways, so it can be used as a pillow cover, and a wall hanging, I wanted it to be something that can be part of everyday life, so the person who gets it will always remember how much it means and never forget the feelings behind it.
In short, this project is all about love, memories, and making things by hand, showing that heartfelt gifts are more important than expensive ones. By including my family history and emotions in what I made, I wanted to create a gift that really means a lot to the person receiving it for showing that our connection will always be special.
Artwork Concept: “The Real Struggle”
~We often admire pictures and artworks, but one day, while sitting and observing people at work, I was struck by a thought an artwork should be made about the working class of Pakistan.
In our daily lives, we all work hard in one way or another, but we often forget that our struggles are nothing compared to those who work tirelessly behind the scenes especially those who serve the upper classes. These individuals work with relentless dedication, often for very little money, and yet their efforts are rarely acknowledged. This artwork is my way of recognizing and honoring them. I created it as a daily reminder for myself to understand that my life isn’t as hard as it sometimes feels. While we’re busy complaining about our problems, we tend to overlook the silent struggles of the poor, simply because their work seems small or ordinary. But no matter what field or background someone comes from, the real value lies in how they earn a living. Every person earns in a different way, and every way holds dignity and hardship.Whenever I look at this piece, I feel grateful. Before I talk about my own struggles, I remind myself to first acknowledge theirs.
A TAPESTRY
~This art piece reflects the emotional gap between the warmth of the past and the modern world. It uses traditional threads n methods like weaving n embroidery, along with a poetic touch and modern interactive light system, to show
how we’ve become more independent but also more disconnected. When no one is around, the lights turn off and show nothing except loneliness. But when someone
comes near, it turns into a warm light, symbolizing emotional presence and connection. A line of Urdu shayari is embroidered into the piece – “jesy har koi apny
matlb ko he milta ha” expressing the pain of losing true bonds in today’s world. The light turning on with human presence suddenly brings this message to life,
reminding us of the reality we live in.
The piece is made with brown thread to give it an old-fashioned, nostalgic feel. If you look closely, you can see the detailed threadwork some parts are densely woven,
while others show visible gaps symbolizing how some moments and relationships are tightly knit and others feel distant. The entire surface is thoughtfully worked on
so that every element connects to the idea.🥀🌼
After watching “Khamosh Pani,” I realized that not only Ayesha but many people suffered during the partition of Pakistan. Many people were killed at that time, and women faced terrible sexual violence up to 100,000 people were raped. Many children were lost and left orphaned.
Additionally, blasts orchestrated by non- Muslims which aimed to reduce the Muslim majority. Reflecting on these events, I had the idea to create an installation that allows people to experience that time and understand the challenges faced by the people of that time.1 decided to create visuals on fabric, adding the texture of burn to represent the pain. In one visual, you can see a woman holding her children, showing the trauma and fear she is experiencing. In another photograph, starving children are shown which is taking us back to the time of the partition of Pakistan, representing those who were not provided with food. Furthermore, there’s a visual of a hopeless child, symbolizing many children who were lost during that time.
Additionally the visual of, an old man is portrayed, depicted the loneliness and fear as he lost his family.
These visuals aim to highlight the suffering of many people during the partition of Pakistan. After researching on this topic and seeing many installations, I decided to create something unique. I made visuals on fabric with a burned texture, using brown colors to represent the old time of partition. As many artists who represent their artwork only through visuals, I wanted to add a sound behind these visuals to evoke a deeper feeling for the people viewing my work.
